Born in Tarragona, Àngel Arévalo is a lyric tenor trained in Catalonia, Madrid, and the Netherlands. He holds a degree in Classical Guitar from ESMUC and has pursued vocal studies at the Reina Sofía School of Music in Madrid and at the Conservatori Superior de Música del Liceu. Between 2023 and 2026 he completed a Master’s in Classical Singing at the Conservatorium Maastricht under Axel Everaert, and he currently continues his vocal training with soprano Barbara Haveman.
He has performed roles including Argirio in Rossini’s Tancredi, Federico in Gnecco’s La prova d’un opera seria, Giuseppe in Verdi’s La traviata, Ferrando in Mozart’s Così fan tutte, and Rinuccio in Puccini’s Gianni Schicchi, in productions and venues across Spain, Germany, Belgium, and the Netherlands.
In 2026 he won the Pau Vidal Singing Competition in Tarragona, received First Prize at Joventuts Musicals de Tarragona, and was a finalist at the Mirna Lacambra Competition of the Sabadell Opera School and a semifinalist at the Viva Classic Vocal Contest in Düsseldorf.
He recently performed as tenor soloist at Viva Classic in Venlo, and among his upcoming engagements is his debut as Odoardo in Bizet’s Don Procopio at the Teatro Cervantes in Málaga, alongside several concerts in the Netherlands.
A didactic concert programme conceived for schools, conservatories, and general venues, exploring Liszt's celebrated settings of Petrarch's sonnets. The programme presents the vocal versions composed for tenor and piano alongside the solo piano versions, illuminating why Liszt wrote two entirely distinct treatments of the same texts — and what this reveals about the relationship between poetry, the singing voice, and the keyboard.
Between each piece, an actor presents the original Petrarch sonnets and contextualises their place in literary and musical history, making the evening both an intimate concert and an accessible introduction to one of the song repertoire's most profound cycles.
Triolé is a chamber trio formed at the Conservatorium Maastricht, bringing together voice, violin, and piano in an intimate concert format. The ensemble explores the crossroads between art song, classical chamber music, and interdisciplinary performance, presenting programmes that engage both seasoned concert-goers and new audiences.
The trio has performed at Domani — Podium voor morgen (Maastricht) and the Muziekgebouw Eindhoven, where they were invited as the first Lunchtime Concert of 2025.
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